2015
120” x 720” x 17”
Dichronic glass with anodized aluminum armature and extrusions, stainless steel components
Located in William P. Hobby International Airport
Houston, Texas | U.S.A.
2016
13.5’ x 13.5’ x 30”
Acrylic urethane lacquer on aluminum
Located in the Prudential Center at 888 Boylston Street
Boston, Massachusetts | U.S.A.
Photo Credit: Anton Grassl
2009
132” x 160” x 160”
Aluminum, steel, stainless steel, rubber with extreme-effect acrylic urethane, powder-coated and chromed components.
Located in Houston, Texas | U.S.A.
2013
Dichroic glass with aluminum, steel and stainless steel hardware
20’ x 80’ x 10’
Located at the pedestrian concourse at Centennial Place
Calgary, Alberta | Canada
2011
144” x 108” x 54”
Located on the Liberty Mutual Campus
Boston, Massachusetts | U.S.A.
2008
Aluminum and steel armature clad in mirror-polished steel.
Rotates on a vertical axis once every 8 minutes
220” x 220” x 220”
Located in the atrium of The Crystal Pavilion at 805 3rd Ave
New York City, New York | U.S.A.
2015-16
50” x 80” x 18”
Candy pearl acrylic urethane on aluminum
Located in Aspen, Colorado | U.S.A.
Photo Credit: David Clifford for the Wall Street Journal
Photo Credit: David Clifford for the Wall Street Journal
The Polychrome Paintings are a continuation and revision of ideas inherent in the Sacra Conversazione Paintings and related series merged with some formal devices borrowed from both the Curved Monochrome Paintings and the Endless-Line Paintings. The colors for these works are loosely based upon concepts regarding a kind of hyper-baroque palette. The paintings are thought of as independent, autonomous units but are also meant to work in suites of 2 - 12 or more parts as installation pieces. It is important to note that with these works, as with the Sacra Conversazione Paintings, each separate color inhabits a separate physical supporting component of the final piece. Hard edges exist only insofar as the color covers the entire surface to the actual edge of an individual part of the whole construction. This is intended to free the paintings in these series from any readings and/or interpretations that might reference geometric abstraction or formalism, locating the works, rather, as descendents within a lineage of multi-panel constructions such as altarpieces, etc.
2016
15’ x 9’ x 30”
Acrylic urethane on aluminum
Commissioned by Cadillac Fairview Corporation for Calgary Centre
Located in Calgary, Alberta | Canada
2001
174” x 72” x 9”
Acrylic Urethane on 1/4” hand-formed aluminum panel
Commission for Burda Media
Offenburg, Germany
